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    Rez. von Noah Isenberg, Department of Radio-Television-Film, The University of Texas at Austin
    • Klinger, Barbara: Immortal Films. "Casablanca" and the Afterlife of a Hollywood Classic, Oakland 2022
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    Rez. von Matthias Röhr, Universität Siegen
    • Driscoll, Kevin: The Modem World. A Prehistory of Social Media, New Haven 2022
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    Rez. von Sandor Horvath, Institute of History, Hungarian Academy of Sciences Budapest
    • Pehe, Veronika: Velvet Retro. Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture, New York 2020
    • Nadkarni, Maya: Remains of Socialism. Memory and the Future of the Past in Postsocialist Hungary, Ithaca 2020
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    Rez. von Kerstin Stutterheim, School of Creative Arts and Industries, Edinburgh Napier University
    • Baer, Hester: German Cinema in the Age of Neoliberalism, Amsterdam 2021
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    Rez. von Martin Moll, Institut für Geschichte, Karl-Franzens-Universität Graz
    • Stecher-Hansen, Marianne (Hrsg.): Nordic War Stories. World War II as History, Fiction, Media, and Memory, New York 2021
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    Rez. von Maximilian Rünker, Graduiertenkolleg Medienanthropologie, Bauhaus-Universität Weimar
    • Lahti, Janne; Weaver-Hightower, Rebecca (Hrsg.): Cinematic Settlers. The Settler Colonial World in Film, London 2020
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    Rez. von Heidi Tworek, Department of History, University of British Columbia, Vancouver, Canada
    • Fickers, Andreas; Griset, Pascal: Communicating Europe. Technologies, Information, Events, London 2019
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    Rez. von Eggo Müller, Department of Media and Culture Studies, Utrecht University
    • Arnold, Klaus; Preston, Paschal; Kinnebrock, Susanne (Hrsg.): The Handbook of European Communication History, Oxford 2019
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    Rez. von Jan-Henrik Meyer, Max-Planck-Institut für Rechtsgeschichte und Rechtstheorie, Frankfurt am Main
    • Balbi, Gabriele; Fickers, Andreas (Hrsg.): History of the International Telecommunication Union (ITU). Transnational Techno-Diplomacy from the Telegraph to the Internet, Berlin 2020
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    Rez. von Elisabeth Bronfen, Englisches Seminar, Universität Zürich
    • Kappelhoff, Hermann: Front Lines of Community. Hollywood Between War and Democracy, Berlin 2018
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    Rez. von Gabriele Balbi, Institute of Media and Journalism, Università della Svizzera italiana, Lugano
    • Mailland, Julien; Driscoll, Kevin: Minitel. Welcome to the Internet, Cambridge, MA 2017
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    Rez. von Patryk Wasiak, Institute of History, Polish Academy of Sciences, Warsaw
    • Švelch, Jaroslav: Gaming the Iron Curtain. How Teenagers and Amateurs in Communist Czechoslovakia Claimed the Medium of Computer Games, Cambridge 2018
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    Rez. von Arno Meteling, Institut für deutsche Sprache und Literatur II, Universität zu Köln
    • Hantke, Steffen: Monsters in the Machine. Science Fiction Film and the Militarization of America After World War II, Jackson 2016
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    Rez. von Sören Brandes, International Max Planck Research School for Moral Economies of Modern Societies, Max Planck Institute for Human Development, Berlin
    • Hemmer, Nicole: Messengers of the Right. Conservative Media and the Transformation of American Politics, Philadelphia 2016
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    Rez. von Chris Wahl, Film- und Medienwissenschaft, Filmuniversität Babelsberg KONRAD WOLF
    • Gerhardt, Christina: Screening the Red Army Faction. Historical and Cultural Memory, London 2018
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    Rez. von Klaus Nathaus, Department of Archaeology, Conservation and History, University of Oslo
    • Vuletic, Dean: Postwar Europe and the Eurovision Song Contest. , London 2018
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    Rez. von Fernando Ramos Arenas, Department of Spanish and Portuguese, Georgetown University, Washington DC
    • Kötzing, Andreas; Moine, Caroline (Hrsg.): Cultural Transfer and Political Conflicts. Film Festivals in the Cold War, Göttingen 2017
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    Rez. von Markus Wahl, Institut für Geschichte der Medizin, Robert Bosch Stiftung, Stuttgart
    • Winter, Jay: War beyond Words. Languages of Remembrance from the Great War to the Present, Cambridge 2017
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    Rez. von Kevin Driscoll, Department of Media Studies, University of Virginia
    • Alberts, Gerard; Oldenziel, Ruth (Hrsg.): Hacking Europe. From Computer Cultures to Demoscenes, London 2014
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    Rez. von Richard Rohrmoser, Historisches Institut, Universität Mannheim
    • Fink, Moritz: Understanding The Simpsons. A Media Phenomenon at the Edge of Convergence Culture, Marburg 2016
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