Das Historische Buch 2007
Julia Angster Ronald G. Asch Jan C. Behrends Hartmut Berghoff Frank Bösch Guido Braun Kai Brodersen Susanna Burghartz Sebastian Conrad Eckart Conze Christoph Cornelißen Volker Depkat Jost Dülffer Astrid M. Eckert Josef Ehmer Jacques Ehrenfreund Joachim Eibach Andreas Fahrmeir Norbert Finzsch Etienne François Mary Fulbrook Peter Funke Patrick J. Geary Christian Geulen Martin H. Geyer Dieter Gosewinkel Abigail Green Rebekka Habermas Johannes Helmrath Manfred Hettling Gerhard Hirschfeld Hartmut Kaelble Wolfram Kaiser Martina Kaller-Dietrich Friedrich Kießling Jürgen Kocka Martin Kohlrausch Birthe Kundrus Karl Christian Lammers Achim Landwehr Simone Lässig Ursula Lehmkuhl Chris Lorenz Christoph Marx Michael Matheus Mischa Meier Gabriele Metzler Jürgen Miethke Pierre Monnet Olaf Mörke Dietmar Neutatz Wilfried Nippel Paul Nolte Alexander Nützenadel Marek Jan Olbrycht Ilaria Porciani Stefan Rebenich Folker Reichert Frank Rexroth Andreas Rödder Dominic Sachsenmaier Adelheid von Saldern Birgit Schäbler Wolfgang Schmale Helga Schnabel-Schüle Petra Schulte Hubertus Seibert Hannes Siegrist Barbara Stollberg-Rilinger Benedikt Stuchtey Birgit Studt Winfried Süß Claudia Tiersch Stefan Troebst Bärbel Völkel Christina von Hodenberg Michael Wildt Michael Zeuske Claudia Zey | Tim BlanningCambridge University VitaTim Blanning's research interests are focused on the history of continental Europe in the period 1660-1914. His early work concentrated on the Holy Roman Empire and the Habsburg Monarchy during the eighteenth century and he retains a strong interest in this area. During the 1980s and 1990s his focus moved westwards to France during the Revolution, especially to its foreign policy and its interaction with the rest of Europe. A particular interest has been the reaction the revolutionaries' missionising campaigns to convert the rest of Europe to the principles of liberty, fraternity and equality. Most recently, he has concentrated on the high culture of Europe and its relationship to state power, which resulted in his prize-winning study The culture of power and power of culture 1660-1789. He is currently working on why music progressed from subordinate status in the early modern period to its present position of supremacy among the creative arts. He is also planning a fundamental revision of the way in which Richard Wagner and his works relate to the politics and culture of nineteenth century Europe. He is also the general editor of The Oxford History of Modern Europe and of The Short Oxford History of Europe, editing personally the volumes on the eighteenth and nineteenth centuries in the latter series. He has been a Fellow of the British Academy since 1990. Homepage: http://www.hist.cam.ac.uk/academic_staff/further_details/blanning.html |