DAY 1 (Thursday, Nov 20, 2014)
8:30-8:45 Registration and Coffee
8:45-9:00 Welcome by Kathrin Maurer and Anders Engberg-Pedersen, University of Southern Denmark
9:00-10:00 Keynote: Jan Mieszkowski, The Spectacle and the Secret
10:15-11:45 Session 1: Photography and War
1. Thomas Ærvold Bjerre, Vulnerable Boys? Tim Hetherington’s Infidel Photos
2. Henrik Saxgreen, From Capa to Abu Ghraib
11:45-12:30 Lunch
12:30-13:30 Keynote: Lene Hansen, Images and International Affect: Chemical Warfare as the Syrian Limit
13.45-15.45 Session 2 A: Communities of Screens: Film and War
1. Hermann Kappelhoff, Visualizing Community: A Look at World War II Propaganda Films
2. Katarzyna Ruchel-Stockmans, The Role of Amateur Images in Recent Conflict
3. Anders Engberg-Pedersen, The Military Aesthetic Regime: Harun Farocki’s “Serious Games”
Session 2 B: The Visual Mapping of War
1. Luciana Villas Bôas, From the Enemy’s Perspective: The Political Iconology of (Early) Colonial Wars
2. Mary Favret, Charts, Graphs, and Numbers of War
3. Chiara de Franco, On the Narratives of Pictures
15.45-16.15´ Coffee
16:15-18:00
Keynote: W. J. T. Mitchell, The invisible Enemy: The War of Images, 9-11 to the Present (Lecture of Excellence-Series)
DAY 2 (Friday, Nov 21, 2014)
9:00-10:00
Keynote: Sten Rynning, Afghan Counter-Insurgency as War and Public Diplomacy
10:00-10:15 Coffee
10:15-12:15
Session 3. A: Image Operations of the Yugoslavian War
1. Mladen Ante Gladic´, The Dispatch as a Media Format and Peter Handke’s Reports from Yugoslavia, 1991 – 2011
2. Jan König, Persuading Germany for War: Strong Emotions during the Kosovo Conflict
3. Annabel Lee Teodora Gušic, Women from Yugoslavia, Voices against war, Victims of the war: Theatre plays by Sajko, Markovic and Srbljanovic
Session 3. B: Performing War
1. Cornelis van der Haven, Emotions and the Illusion of Immediacy in Baroque Battle Plays
2. Philipp Shaw, Napoleon as Philoctetes: War, Sacrifice and the End of Empire
3. Solveig Gade, The War, the Body, and the Nation: Commemorating the War in Afghanistan at The Danish National Theatre
12:15-13:00 Lunch
13:00 -14:00
Keynote: Christine Kanz, Jünger’s Drones and Beckmann’s Revenants: Vision and Coolness in World War I
14:15-16:15 Session 4: War from a Distance
1. Kathrin Maurer, Drone Vision and the Framing of Violence
2. Svea Braeunert, The Trauma of Drone Warfare and its Place in Visual Culture
3. Carsten Bagge Lausten, Uncanny Repetitions. Abu Ghraib in Afterthought
16:30-17:30
Keynote: Stephan Jaeger, Creating Experiential Spaces of the World Wars in the Museum: Images, Emotions, and Memory Politics